To craft Verona, Martyn took a page of hand dipped marbled paper and upped the ante, doubling the scale of the pattern to highlight its sinuous, florid swirls, originally created by artisans slipping thin quills through pools of ink. The motif is printed on tightly woven cotton in three supersaturated, of-the-moment colors: viridian, a malachite-like green, carrara, a crisp gray, and lapis, a brilliant shade of ultramarine. Strong enough to stand on its own and suitable for upholstery, Verona would make a statement on a club chair and accentuate ample ceiling heights on curtains that whirl with movement.